BINGO Night at The Toolbox
WHEN: Wednesday, June 3rd 8 to 10 p.m.
WHERE: The Toolbox Bar – 1742 2nd Ave (at 91st Street)
Remember the innocent days “way back when” when we played bingo for pennies and drank Coca Cola out of those real green bottles? Don’t remember but wish you did? Join us on Wednesday, June 3rd at 8 p.m. for intergenerational BINGO at The Toolbox bar! This is a special opportunity to mingle with cast members from the intergenerational LGBTQ theater ensemble Bridging the Gap and help raise money for the project. Since January, the Toolbox has been collecting 10% of its weekly BINGO night winnings. In June, the Toolbox will not only donate the funds to Bridging the Gap, but they will match the funds collected. Help us raise as much as we can by joining us for BINGO in a comfy neighborhood gay bar!
Reflections on 2014
Sherry: Bridging the Gap 2014 satisfied me in many ways. First, I got to take risks and experiment with the balance between freedom and structure as I directed the five members of my “crew” scene group. My group enthusiastically developed two alternate endings and presented them to the whole ensemble for feedback. Second, I found it exciting when the ensemble accepted the challenge of an entirely new form: a place play. I had never used this form as a director, so it stretched my artistic muscles and took me into new territory. In addition, the ensemble embraced the device of dividing each scene into three parts and then weaving the parts together throughout the show. In past BTG shows, each scene
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Session 8 Recap: Full Steam Ahead!
CLICK HERE TO SUPPORT OUR 2014 FUNDRAISER
All hands were on deck at our latest Bridging the Gap rehearsal. The 22 member LGBTQ intergenerational cast continued to develop scenes for our original show: Aboard the Raging Queen.
First the company welcomed a new member. They introduced themselves to him by working in groups to create frozen images inspired by the word “welcome,” followed by words and phrases that described the essence of our group and our playbuilding process. You can see one of the frozen images in the picture above!
After our welcoming activity, everyone broke into scene groups and continued developing the four original scenes we have been devising over the past weeks. With the support of co-directors Timothy Connell, Kevin Ray and Sherry Teitelbaum, group members focused their rehearsals on refining ideas generated in earlier sessions by improvising dialogue, writing original monologues, experimenting with props and costumes, and creating an original song! These techniques were used to highlight the underlying thematic content of each scene through the colorful characters aboard the fictional LGBTQ cruise ship, The Raging Queen.
Following our small group work, the entire ensemble came back together to perform their revised scenes for each other. It was thrilling to watch the variety of ways each group revised their scenes to bring into focus explorations of themes such as invisibility, privilege, tradition, family, and romance.
When the scenes were over, we pulled our seats into a circle and the ensemble gave each other feedback about the aspects of each scene that excited them. Near the end of our discussion, one group member expressed how delighted she was to be creating original theater inspired by her ideas She stated,
Another group member who has been in Bridging the Gap since its inception in 2011 told the rest of the group,“I am enjoying this process so much. I feel like we are creating the play rather than working with someone else’s lines.”
“This year it feels different. Somehow the process feels longer. And there is a feeling of warmth that has never been there before.”
We’re only a few rehearsals away from our December 7th performance but by all indications, Aboard the Raging Queen is sailing on smooth waters! Stay tuned for more in the coming weeks.
To read more about our show, Aboard the Raging Queen, click here.
To visit our Facebook event page, click here.
To make a contribution to keep this program free to our participants, click here.
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Brian on The Art of the Unknown
by Brian Frank
I’m 24 years old and I guess you can call me one of the “old” young people in this ensemble as this is my third year with Bridging the Gap. I joined this project in 2012, after a recruiting session at the LGBT Center’s YES Program (Youth Enrichment Services). I was drawn to this project because it was an opportunity to get involved with theatre. Theatre has always been a huge passion of mine, so if any chance to stretch my acting wings and develop skills on a stage came along, I was going to jump on it. However, I soon discovered this would be a unique experience, one that I never expected to come my way.
The concept of using theatre to bridge generation gaps between the young and old is nothing new. But the idea of theatre bridging the generation gap specifically in the LGBT community is something I never gave much thought. As a gay 20-something, my upbringing and coming out has had its hardships, but thanks to the advancements of the law and positive changes in the social perceptions of LGBT people over the last few years, it has been open and relatively smooth.
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Jeremy on Another Kind of Community: The Magic of the Theatrical Ensemble
by Jeremy Ashton
Creating theatre is, by its very nature, a bonding experience. Because thespians use emotions, vulnerability, trust and collaboration as key components to the artistic process, actors are somewhat forced (if not by our natural personalities, by the nature of our chosen art) to bond together. Being in a show requires individuals to support, trust and rely on each other (even if it’s just while the stage lights are up.)
Through Bridging the Gap, the experience of being part of such a diverse, multigenerational ensemble has brought that powerful bonding agent I’ve always experienced in theatre even more to the forefront. Through games, exercises, and a sense of shared risk and creative energy, I am willing to dive headfirst into situations and conversations with those whom I might not otherwise feel comfortable with, or who might not otherwise feel totally comfortable with me. Being in a theatrical ensemble allows us all to just be artists together, forgetting about the differences in age, gender, or sexuality between us all. The nature of the ensemble gives us a starting point from which to build trust and come together.
As the Bridging the Gap ensemble continues on our creative journey together, I can’t wait to see what this amazing group of people has to teach me. I am sure I will be inspired, educated, and challenged by my fellow artists, but I know I am going to enjoy my time as a member of the community we are building together.
SAVE THE DATE!
Our upcoming free performance will be on:
Sunday, December 7, 2014 at 3pm.
TADA! Theater - 15 West 28th Street NYC
More details to follow.
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Sal on the Intergenerational Experience
I'm an actor and playwright. I'm very happy to be involved with Bridging the Gap for the second consecutive year. It's one of the few intergenerational multicultural theatre communities that I know. It feels GREAT to be a part of an environment that offers a rich tapestry of life experiences and creative know-how.
Upon participating this second year, I was THRILLED to learn that my young friend-- who played the title role of Marvin in "Marvin's Fetish" (in my play reading at SAGE), --- had learned about Bridging The Gap and had actually become a member! There is legal justice, there is poetic justice and then there's DeAngelo Justice--who has just won a major role in my friend Alan Baxter's new amazing play, "Juan and Emmett”. DeAngelo is one of many young, talented and stimulating people who I look forward to working with week after week. I also very much enjoy interacting with "slightly" mature members such as myself--all of whom I've come to treasure. (Many members--by sheer coincidence--are faithful members of SAGE'S Monday night acting class.)
Everyone who attends Bridging The Gap--regardless of age--constantly offer thought-provoking comments, suggestions and keen observations. Each Saturday I look forward to participating in stimulating exercises, fun and original games and improvisational sketches. Tim Connell, Sherry Teitelbaum and Kevin Ray are AWESOME! They're encouraging, inventive and totally supportive of EACH ONE OF US--and of ONE ANOTHER. If you're interested in a safe, creative, fun, exciting, informative, friendly way to learn about theatre, check out www.bridgingthegap.nyc. I'm glad I did! Read More...
Amethyst on Session 2
This week was the first time the seniors and younger participants came together. Since I am one of the senior participants, I was very eager to meet and greet the younger members of our theatre group. Of the younger members who attended, some had been part of Bridging The Gap before, and some were brand new members. It was very good to see people I had interacted with in prior Bridging The Gap workshops; but it was also great to meet new people as well.
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Our First Session(s)
On September 27th, older LGBTQ adults aged 60 and up and younger LGBTQ adults between the ages of 19 and 27 convened during two different first sessions. It’s a tradition to hold separate, age-defined sessions during the first day of Bridging the Gap to give people from each generation an opportunity to meet each other, begin to form relationships, and air perceptions about the other generation in a safe space before both generations come together for our second session. This year’s first session was a wonderful mix of fresh-faced new members and familiar friends from the past. The sessions were led by facilitators Timothy Connell, Kevin Ray and Sherry Teitelbaum.
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